All articles by Mark Salisbury
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FeaturesRising Stars Scotland 2024: Mirren Mack (actor)
Read all the Rising Stars Scotland 2024 profiles.
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FeaturesRising Stars Scotland 2024: Maryam Hamidi (writer)
Read all the Rising Stars Scotland 2024 profiles.
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FeaturesRising Stars Scotland 2024: Simone Smith (writer/director)
Read all the Rising Stars Scotland 2024 profiles.
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Features‘Slow Horses’ showrunner Will Smith on nine Emmys nominations and working with “brilliant” Gary Oldman
With season four set to air in September, Slow Horses has finally been recognised by Emmys voters.
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FeaturesStars of Tomorrow one-to-one: directors Thea Sharrock & Abdou Cissé
Abdou Cissé discovers a common obsession with football talking to Wicked Little Letters director Thea Sharrock, and asks her about multitasking across projects, directing actors and leaping from theatre to film
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FeaturesStars of Tomorrow 2024: Jess Bray (writer)
Bray’s credits include Big Talk/BBC series ’The Outlaws’ and upcoming Roughcut/BBC Two series ‘We Might Regret This’.
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FeaturesStars of Tomorrow 2024: Tosin Cole (actor)
Cole appeared in Rapman’s superheroes-in-south London Netflix show Supacell.
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FeaturesMy Screen Life: Fernando Meirelles on quitting architecture and his fears for the future
Meirelles directed episodes of Sympathizer and Sugar.
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FeaturesAnthony Boyle on his ‘Masters Of The Air’ and ’Manhunt’ roles: “I love the physicality and the mental stuff”
After starring as a heroic Second World War navigator, Boyle wanted to “play someone the polar opposite”.
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Features“There were doors slammed in its face”: David Oyelowo on spending a decade trying to make ‘Lawmen: Bass Reeves’
“The only place you can land is a prejudice against a Black protagonist, a Black-centred story.”
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Features’Night Country’ showrunner Issa López on turning ‘True Detective’ on its head
Jodie Foster told López she wanted to play “an impossible asshole” on the HBO show.
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Features‘Ripley’ creator Steven Zaillian on making Netflix series “feel more like a novel”
“I always imagined it in black and white,” he tells Screen.
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FeaturesJuno Temple: ‘Fargo’ role “made me a better actress”
Juno Temple stars as Dot Lyon, a feral fighter, domestic abuse survivor and devoted mother in the latest season of FX’s Fargo.
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Features“We’ve elbowed our way into the industry”: charting the rise of cinephile social platform Letterboxd
How can the film industry take advantage?
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FeaturesHow Jesse Eisenberg “saved the day” by helping to fund ‘Sasquatch Sunset’
US filmmakers David Zellner and Nathan Zellner have been hooked on the Bigfoot myth since childhood, culminating in Berlinale Special title Sasquatch Sunset.
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Features‘Oppenheimer’ cinematographer breaks down four key scenes: "Limitations become advantages"
Hoyte van Hoytema shot Oppenheimer in black-and-white and colour, telling a story that spans cramped interiors and expansive spectacle. The cinematographer talks to Mark Salisbury about filming four key scenes in Christopher Nolan’s blockbuster epic.
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FeaturesMartin Scorsese breaks down four key scenes from ’Killers Of The Flower Moon’: “A couple of people with me got frightened”
Martin Scorsese’s Killers Of The Flower Moon tells a story of love, avarice, manipulation, stupidity and murder. The writer/director talks to Screen about the conception of four pivotal scenes from the Oscar- and Bafta-nominated American epic.
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FeaturesUK special effects guru Neil Corbould on staging key scenes from ‘Mission: Impossible - Dead Reckoning’ and ‘Napoleon’
Double Oscar-winning special effects supervisor Neil Corbould is Bafta-nominated this year for both Mission: Impossible — Dead Reckoning and Napoleon. He tells Mark Salisbury about how his team staged two key scenes in each film
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FeaturesCarey Mulligan: Bradley Cooper asked me to go “all in” for ‘Maestro’ role
Carey Mulligan says she had never allowed herself to let go fully as an actor before playing Felicia Bernstein in Maestro. She tells Screen why this role was different.
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FeaturesWhy Emma Stone’s ‘Poor Things’ role required a physical and emotional transformation
In Poor Things, Emma Stone delivers her most vivid performance yet, spiralling from oversized toddler to empowered woman. She tells Screen about the immersion that took her on a riotous ride.