Latest – Page 5
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Reviews
‘Grand Tour’: Cannes Review
Miguel Gomes transposes the traditional European grand tour narrative to Asia for his experimental Competition entry
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Reviews
‘Being Maria’: Cannes Review
Anamaria Vartolomei impresses as Last Tango In Paris star Maria Schneider in Jessica Palud’s sensitive biopic
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Reviews
‘An Ordinary Case’: Cannes Review
Daniel Auteuil directs and stars as a lawyer defending a murder case in this by-the-numbers French legal drama
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Reviews
‘Animale’: Cannes Review
Emma Benestan directs an atmospheric genre hybrid set in a French bull-riding community
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Reviews
‘Parthenope’: Cannes Review
Paolo Sorrentino returns to Naples for this problematic tale of the eponymous young beauty
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Reviews
‘Marcello Mio’: Cannes Review
Chiara Mastroianni transforms into her father Marcello in this self-reflexive confection from Christophe Honore
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Reviews
‘Eat The Night’: Cannes Review
Three French teens juggle edgy real-life with gaming fantasy in this disappointing thriller from the ‘Jessica Forever’ team
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Reviews
‘Misericordia’: Cannes Review
Alain Guiraudie returns to Cannes with a philosophical digression disguised as a French rural melodrama
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Reviews
‘The Story Of Souleyman’: Cannes Review
A Guinean asylum seeker tries to work the gig economy on the streets of Paris in this propulsive drama
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Reviews
‘Elementary’: Cannes Review
Claire Simon profiles daily life in a French elementary school in this charming documentary
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Reviews
‘The Other Way Around’: Cannes Review
Jonas Trueba’s first film in Cannes follows a young Spanish couple who decide to celebrate their break-up
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Reviews
‘The Kingdom’: Cannes Review
A teenage girl finds herself at the frontline of a Corsican mob war in this muscular Un Certain Regard debut
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Reviews
‘Limonov: The Ballad’: Cannes Review
Ben Whishaw commits to the part of the eternally dissident Soviet writer Eduard Limonov in Kirill Serebrennikov’s Competition entry
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Reviews
‘The Balconettes’: Cannes Review
Three women face a reckoning during a Marseille heatwave in Noemie Merlant’s fierce comedy-horror
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Reviews
‘Emilia Perez’: Cannes Review
A Mexican drug-lord undergoes gender reassignment in Jacques Audiard’s stylish Spanish-language musical
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Reviews
‘Queens Of Drama’: Cannes Review
A pop star and a lesbian punk fall in and out of love in this hyper-stylised French debut
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Reviews
‘Julie Keeps Quiet’: Cannes Review
A focused tennis player stays silent to protect her coach in this controlled Belgian debut
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Reviews
‘Three Kilometers To The End Of The World’: Cannes Review
A homophobic attack rips apart a family and a community in Emanuel Parvu’s Danube Delta-set Competition entry
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Reviews
‘Holy Cow’: Cannes Review
A farmers son must suddenly step up to his responsibilities in this debut from Louise Courvoisier set in rural France
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Reviews
‘In His Own Image’: Cannes Review
Corsica’s fight for independence is told through the experiences of a young photographer in this dry drama