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Features
How DOK Leipzig’s Animation Lab is working hard to bring documentary and animation closer together
The Lab’s second edition will feature UK filmmaker Daniel Gough’s hybrid feature debut ’Night Gardener’
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Features
TIFFCOM CEO Yasushi Shiina on growing the market while placing an eye on production
The three-day event will include the Tokyo Gap-Financing Market (TGFM), Tokyo Story Market and an expanded programme of seminars.
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Features
Tokyo director in focus Yu Irie on what “shocked” him into making ‘A Girl Named Ann’
The filmmaker behind ‘8000 Miles’ has a series of features showing at Tokyo Intenrational Film Festival.
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Why Andalusia is a hotspot for local and international production
Tax incentives, diverse locations and internationally focused production companies attract big and small screen projects
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“Collaboration not competition”: DOK Leipzig’s Nadja Tennstedt on the 2024 industry programme
DOK Industry is designed to facilitate creative cooperation and encourage best practice at all levels
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Filmmakers are focusing on beauty and enrichment, says DOK Leipzig’s Christoph Terhechte
The festival’s artistic director hopes to raise the profile of animation and documentary in all their forms.
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Tokyo film festival to focus on international collaboration and female empowerment
TIFF is now expanding its focus on international exchange between Japan, Asia and the rest of the world.
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Features
Which international indie films are engaging with Spanish audiences - and why?
Spanish distributors met this week in Valladolid to test upcoming release on local audiences - and exhibitors.
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“Series is the format with the most promising future,” enthuses South Series festival director
”We believe series is the format with the largest audience,” says the head of Cadiz’s South International Series Festival.
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El Gouna artistic director Marianne Khoury talks festival’s comeback edition
The festival in Egypt will screen more than 80 films during its seventh edition.
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Social media and re-releases: Lucky Red’s strategy for growing Italy’s arthouse audience
Screen talks to founder Andrea Occhipinti and theatrical director Gabriele D’Andrea.
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How Israel’s Eran Riklis made ’Reading Lolita In Tehran’ with Golshifteh Farahani
“We stitch back what they tear apart,” says Farahani of the role of artists when making a film about Iran with an Israeli director.
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Valladolid is the place to launch into Spanish market, explains festival head José Luis Cienfuegos
Spanish distributors use the festival to see how their acquisitions work with audiences.
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Features
“Coproduction has got to be a focus,” says Screen Australia CEO Deirdre Brennan
Brennan reveals her priorities in one of her first interviews since taking on the role in January.
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Features
‘Peak TV’ era is over but drama market can recover, say scripted execs
Procedurals, which have long been the cornerstone of network dramas, are increasingly popular with cost-conscious streamers as well.
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US musician Jeff Russo on his scores for ‘Ripley’ and ‘Fargo’, and being part of rock band Tonic
The musician is up for a World Soundtrack Award for television composer of the year.
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Laura Karpman on creating the scores for ‘American Fiction’ and ‘The Marvels’
2023 marked a pioneering year for Karpman, who worked on six film and TV projects across the year.
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Can Mipcom lift the spirits of a struggling TV industry?
The event, running October 21-24, comes at a challenging time for many of the global TV industry executives who are gathering in Cannes.
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Komplizen Film co-founders talk ‘Maria’, staying independent, Maren Ade’s next project
Jonas Dornbach and Janine Jackowski tell Screen about the Berlin-based production company’s ongoing rise.
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Should indie filmmakers embrace or avoid FAST and AVoD platforms?
Ad-funded AVoD and FAST platforms are booming as cash‑strapped consumers look for cheaper alternatives to subscription services.